Notes on the Particulates, 2012

In ‘Notes on the Particulates’ (2012) an old dot-matrix printer has been hacked to print tiny constellations of text on a loop of paper. This generates an automatic essay and demonstrates an ill-formed and unrelenting struggle to understand language through language, in language . All my machine-based works are thought experiments. Notes on the Particulates explores the role of accumulation in the formation of meaning. Starting as an empty loop of paper, the printer endlessly re-distributes fragments of Gilles Deleuze’s writings on language from Difference and Repetition and The Logic of Sense. At first fragmentary, as the text builds up it shifts into legibility. As time progresses this legibility is superseded by nonsense, which is in turn transformed into visual forms, reminiscent of clouds. Eventually, the pulverised and ink soaked paper gives way to its frail materiality: The paper jams – breaks – halts – spasms… Silence. Repeat. The ideal perfection of machines and words is betrayed.

Primavera 2012, Museum of Contemporary Art Australia
Image courtesy Museum of Contemporary Art Australia
Photography: Robbie Karmel

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